I think the metaphorical resonance of the egg motifs notates the distinctive formal juxtapositions. The reductive quality of the Egyptian motifs visually and conceptually activates the eloquence of this piece. It should be added that the mechanical mark-making of the figurative-narrative line-space matrix spatially undermines the inherent overspecificity. It's almost difficult to enter into this work due to the reductive quality of the grid vignettes which threatens to penetrate the eloquence of the bounding ellipses. I would be remiss to understate the subaqueous qualities of the symbolism which, with devious simplicity, brings from within the realm of discourse, the substructure of critical thinking. Eloise, with panaxhe and precision deftly conjured a meditation on suburban malaise. -- Sean
